Project ‘1975’ Essay Elizabeth Kassab

Elizabeth Suzanne Kassab is the author of the fourth Project 1975 essay
‘The Arab quest for empowerment. A thought of one’s own, a government of one’s own, an art of one’s own.’
Her essay reflects on the role of the intellectual in the Arab world in the decades after decolonization in the context of the ‘Arab Spring’.

While the Arabic regimes were criticised by a marginal group of intellectuals in the seventies, Kassab for instance refers to the Syrian film director Omar Amiralay, they are currenly joined by large masses of ordinary men and women. They reformulate the grievances and claims that were formulated before by the critical thinkers. However, these current demonstrants are not motivated by the writings of these thinkers but instead by the suffering in their own lives and the overwhelmed exasperation. With this shift in the performance and expression of criticism how should we define the role of intellectuals and artists? Download Newsletter 122 here to read Elizabeth Kassab’s essay.

Kassab studied at American University of Beirut business administration and philosophy, and continued her graduate studies in philosophy at Fribourg University in Switzerland. Her overall interest has been in the philosophy of culture, both Western and non-Western, with a particular focus on post-colonial debates on cultural malaise, authenticity and critique. Her book Modern Arab Thought. Cultural Critique in Comparative Perspective was published in 2009 by Columbia University Press. She is currently a visiting research fellow at the Berlin Graduate School for Muslim Cultures and Societies and working on a new book on revolutions and Enlightenment in the Arab world.

Exhibition ‘Mounira Al Solh & Bassam Ramlawi.’ And drawings by René Daniels.

Stedelijk Museum Bureau Amsterdam proudly presents the first large-scale solo exhibition by Mounira Al Solh in The Netherlands. Al Solh’s work can be described as an inner conflict with social environments which impose national, cultural and religious identity. In that sense it is a reflection on the social and religious tensions in the country of her birth, Lebanon, which has undergone several civil wars and still occupies a sensitive position in the present eruptions in the Middle East. But here in The Netherlands one’s origins and culture are becoming an increasingly important aspect in social intercourse too. Al Solh approaches this fact with a mixture of autobiographical elements and humour – because how else can one approach censorship, repression, schizophrenia and the discordant culture in which everyone has a role?

A considerable part of the exhibition is devoted to the work of the figure Bassam Ramlawi. Ramlawi is a juice seller in Beirut who has studied art in The Netherlands, and since done portraits of people from around his shop in Beirut. A documentary shows that he is familiar with the oeuvre of Cindy Sherman and with a famous portraitist of the inter-war period, the German artist Otto Dix, but above all he admires the work of the Dutch artist René Daniëls.

Click here for more information about ‘Mounira Al Solh & Bassam Ramlawi’.

Screening ‘The Forgotten Space’, May 24th 2011

Stedelijk Museum Bureau Amsterdam organised a screening of ‘The Forgotten Space’ on May 24th. The evening was introduced by art historian Sven Lütticken, who interviewed director Noël Burch, and the launch of Open #21, cahier on Art and the Public Domain.

In the cinematic essay ‘The Forgotten Space’ (2010) the photographer-filmmaker-writer Allan Sekula travels with the French-American director and film historian Noël Burch. Together they explore the sea, the “forgotten space of our modern age, where globalization becomes visible in the most pressing way”.

Here you can read a report of the evening in Dutch.


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Reading group Postcolonialism, May 2nd 2011

In connection with The Marx Lounge, SMBA has organised an intensive public programme of reading circles, lectures, film screenings and artists’ presentations. Here you can read Andreas Zangger’s report of the Postcolonialism Reading Group of May 2nd. To read Jelle Bouwhuis’ report in Dutch click here.

Two artists on Congo

By Andreas Zangger

How do you present suffering in art? Laokoon (wikipedia)

How do Westerners see Congo, if they even look at all? What picture of Congo is presented to them? And what can art contribute to this picture? On Monday May 2nd SMBA hosted the reading group on postcolonialism organized by artist Joris Lindhout to discuss the book Congo – Een geschiedenis (Congo – A history, 2010) by David van Reybrouck and the film Episode III – Enjoy poverty (2008) by Renzo Martens, who was invited as an artist expert.

 

Cover David Reybrouck - Congo, A History (2010)

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Overview ‘The Marx Lounge’ – Alfredo Jaar

Neon Sign

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Extra: Article Wim Bossema – Art in Ghana

Journalist Wim Bossema wrote a report about the art scene in Ghana for the Dutch newspaper De Volkskrant. Bossema met the internationally known and successful artist Kofi Setordji, and spoke to him about his new project in which he combines applied arts (and design) with fine arts. For this project, Setordji collaborated with the Nubuke Foundation. Furthermore Bossema discusses the paintings and installations of the Nigerian artist Akirash and the tradition of the highlife music genre in the 1960s and 1970s, which loses popularity due to the current curfew-order.

Click here to read Wim Bossema’s Dutch article ‘In Ghana ligt kunst op straat’.

 

Alfredo Jaar’s lecture at the opening of ‘The Marx Lounge’, 16 April 2011

Metropolis M on Project 1975


Click here to read the (Dutch) article ‘1975, Hoe nu verder?’ on the website of Metropolis M.


The article contains an interview with Jelle Bouwhuis, in which he explains why Project 1975 focuses on the current effects of colonialism. Furthermore he elaborates on the exhibition of Alfredo Jaar’s The Marx Lounge.

Article Kerstin Winking ‘Postkolonialisme nieuwe stijl’ (Metropolis M)

Coco Fusco / Guillermo Gomez Pena - Two Undiscovered Amerindians visit Madrid (1992)

Click here to read Kerstin Winking’s Dutch article ‘Postkolonialisme nieuwe stijl’, a short introduction on the history of postcolonialism as published in Metropolis M.

Article Kerstin Winking – George Osodi (Metropolis M)

George Osodi - The Black Street Series Stavanger V (2008)

 
George Osodi is an artist who has taken the relation between Europe and Africa as a point of departure. The work of the Nigerian-born Osodi, whom most will know from his participation in Roger Buergel’s documenta 12, tells about the effects of globalisation on people’s lives with great empathy: his art concerns Africa, but it also accentuates the continent’s involvement in transnational processes.


Click here to read Kerstin Winking’s article ‘The Ethical Revolution’ on the work of George Osodi.

Sponsors and Partners of Project 1975