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	<title>Project 1975</title>
	<link>http://project1975.smba.nl</link>
	<description>Stedelijk Museum Bureau Amsterdam</description>
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		<title>Hollandaise in Dakar</title>
		<description><![CDATA[10 April – 1 June in RAW Material Company in Dakar, Senegal It is with great pride that SMBA announces the exhibition &#8216;Hollandaise, a journey into an iconic fabric&#8217; in RAW Material Company, Dakar. The exhibition was on show at SMBA from 3 November, 2012, until 6 January, 2013. The background for the exhibition &#8216;Hollandaise&#8217; [...]]]></description>
		<link>http://project1975.smba.nl/en/article/nederlands-hollandaise-in-het-licht-van-global-collaborations?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=nederlands-hollandaise-in-het-licht-van-global-collaborations</link>
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		<title>&#8216;Time, Trade &amp; Travel&#8217; opening in Accra</title>
		<description><![CDATA[]]></description>
		<link>http://project1975.smba.nl/en/article/time-trade-travel-opening-in-accra?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=time-trade-travel-opening-in-accra</link>
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		<title>Overview &#8216;Hollandaise&#8217;</title>
		<description><![CDATA[Photo&#8217;s by Gert Jan van Rooij]]></description>
		<link>http://project1975.smba.nl/en/article/overview-hollandaise?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=overview-hollandaise</link>
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		<title>Exhibition &#8216;Hollandaise&#8217;</title>
		<description><![CDATA[Artists: Godfried Donkor, Abdoulaye Konaté, Wendelien van Oldenborgh, Willem de Rooij and Billie Zangewa. Curated by Koyo Kouoh. HOLLANDAISE is a critical, contemporary art exhibition built around the colourful printed fabrics that are exported from The Netherlands to Africa, and therefore popularly known as Hollandaise or Dutch Wax. Dutch textile enterprises such as Vlisco developed [...]]]></description>
		<link>http://project1975.smba.nl/en/article/exhibition-hollandaise?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=exhibition-hollandaise</link>
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		<title>Report Zachary Formwalt interviewed by Sven Lütticken</title>
		<description><![CDATA[On the final day of ‘Time, Trade &#38; Travel’ Zachary Formwalt was interviewed by art historian and critic Sven Lütticken. After a brief introduction to Formwalt’s artistic practice and interests, a fragment of his newest video ‘A Projective Geometry’ was screened. The video was also part of the exhibition ‘Time, Trade &#38; Travel’ in SMBA. [...]]]></description>
		<link>http://project1975.smba.nl/en/article/report-zachary-formwalt-interviewed-by-sven-lutticken?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=report-zachary-formwalt-interviewed-by-sven-lutticken</link>
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		<title>Report lecture Rhoda Woets</title>
		<description><![CDATA[Anthropologist Rhoda Woets not only wrote an essay for SMBA Newsletter #129 on the work of kari-kacha seid’ou, she also lectured modern and contemporary Ghanaian art on September 30. During this afternoon Woets discussed the work of several artists in relation to the complex definition(s) of contemporary Ghanaian art. The notion of contemporary art in [...]]]></description>
		<link>http://project1975.smba.nl/en/article/report-lecture-rhoda-woets?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=report-lecture-rhoda-woets</link>
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		<title>Clarence Seedorf on Jeremiah Quarshie</title>
		<description><![CDATA[Soccer player Clarence Seedorf responds to the work of Jeremiah Quarshie on his personal website. As part of the exhibition &#8216;Time, Trade and Travel&#8217; at Stedelijk Museum Bureau Amsterdam, Quarshie presents &#8216;This is who I am?&#8217; (2012), including a portrait of Seedorf as a reference to postcolonial identity. Click here to download SMBA Newsletter #129 [...]]]></description>
		<link>http://project1975.smba.nl/en/article/clarence-seedorf-on-jeremiah-quarshie?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=clarence-seedorf-on-jeremiah-quarshie</link>
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		<title>Report Symposium &#8216;Mixing the Colors of the Rainbow&#8217;</title>
		<description><![CDATA[This summer the Dutch Museum Beelden aan Zee curated ‘Rainbow Nation’, an exhibition of contemporary South African sculptures. In the final weekend the symposium ‘Mixing the Colors of the Rainbow’ was organised, to discuss the current status of South African art and art history. Head of exhibitions Dick van Broekhuizen started the evening with a [...]]]></description>
		<link>http://project1975.smba.nl/en/article/report-symposium-mixing-the-colors-of-the-rainbow?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=report-symposium-mixing-the-colors-of-the-rainbow</link>
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		<title>Overview &#8216;Time, Trade &amp; Travel&#8217;</title>
		<description><![CDATA[Photography: Gert Jan van Rooij]]></description>
		<link>http://project1975.smba.nl/en/article/overview-time-trade-travel?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=overview-time-trade-travel</link>
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		<title>Exhibition &#8216;Time, Trade &amp; Travel&#8217;</title>
		<description><![CDATA[Artists: Bernard Akoi-Jackson, Dorothy Akpene Amenuke, Serge Clottey, Zachary Formwalt, Iris Kensmil, Aukje Koks, Navid Nuur, Jeremiah Quarshie, kari-kacha seid’ou and Katarina Zdjelar. &#8216;Time, Trade &#038; Travel&#8217; set the participating artists on a quest for the historical encounters between Europeans and Africans, in which trade and the concomitant cultural exchange receive particular attention. From their [...]]]></description>
		<link>http://project1975.smba.nl/en/article/exhibition-time-trade-travel?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=exhibition-time-trade-travel</link>
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		<title>Video symposium &#8216;What is a &#8216;Postcolonial Exhibition&#8217;?&#8217;</title>
		<description><![CDATA[The Stedelijk Museum and Stedelijk Museum Bureau Amsterdam proudly presented the symposium ‘What is a Postcolonial Exhibition?’, an SMBA initiative organized as part of the program of Temporary Stedelijk 3 – Stedelijk @. Click here to read the symposium&#8217;s info sheet and watch the video registrations below. What is a ‘Postcolonial Exhibition’? has been made [...]]]></description>
		<link>http://project1975.smba.nl/en/article/video-symposium-what-is-a-postcolonial-exhibition?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=video-symposium-what-is-a-postcolonial-exhibition</link>
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		<title>Overview &#8216;The Memories Are Present&#8217;, Artun Alaska Arasli, Pauline M&#8217;barek and Christoph Westermeier</title>
		<description><![CDATA[Pauline M’barek, Projection, 2011. Video, 20’. Courtesy: Thomas Rehbein Galerie, Cologne, Germany. Photography: Gert Jan van Rooij]]></description>
		<link>http://project1975.smba.nl/en/article/overview-the-memories-are-present-artun-alaska-arasli-pauline-mbarek-and-christoph-westermeier?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=overview-the-memories-are-present-artun-alaska-arasli-pauline-mbarek-and-christoph-westermeier</link>
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		<title>Exhibition &#8216;The Memories Are Present&#8217;, Artun Alaska Arasli, Pauline M&#8217;barek and Christoph Westermeier</title>
		<description><![CDATA[A central aspect of &#8216;The Memories Are Present&#8217; is the interest in the institutional accumulation of objects, the categorization and display of them, and the objectives related to that. Artun Alaska Arasli, Pauline M&#8217;barek and Christoph Westermeier engage with display strategies linked to anthropological institutions, such as the diorama and the practical devices used for [...]]]></description>
		<link>http://project1975.smba.nl/en/article/exhibition-the-memories-are-present?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=exhibition-the-memories-are-present</link>
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		<title>Report symposium What is a &#8216;Postcolonial Exhibition&#8217;?</title>
		<description><![CDATA[In collaboration with the Stedelijk Museum, Stedelijk Museum Bureau Amsterdam organized the symposium What is a &#8216;Postcolonial Exhibition&#8217;? on May 25. During this day the institutional engagement with the colonial past and the postcolonial present was discussed. The symposium presented a range of institutional practices and scholarly insights to examine a specific aspect: the exhibition [...]]]></description>
		<link>http://project1975.smba.nl/en/article/report-symposium-what-is-a-postcolonial-exhibition?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=report-symposium-what-is-a-postcolonial-exhibition</link>
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		<title>SMBA Video programme &#8216;Really Exotic?&#8217;</title>
		<description><![CDATA[Date: Sunday, 17 June 2012, Time: 4:45 &#8211; 7:15 p.m. Location: Kriterion, Admission: €5, free with Cineville pass Reservation required: 020-6231708 (Kriterion) Participating artists: Artun Alaska Arasli, Neïl Beloufa, David Hammons, Coco Fusco and Paula Heredia, Moridja Kitenge Banza, Olaf Breuning, Tatiana Macedo, Sarah Vanagt, Apichatpong Weerasethakul, Clemens von Wedemeyer and Katarina Zdjelar. In an [...]]]></description>
		<link>http://project1975.smba.nl/en/article/video-programme-really-exotic?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=video-programme-really-exotic</link>
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		<title>Overview &#8216;Bart Groenendaal, Stefan Ruitenbeek, Quinsy Gario&#8217;</title>
		<description><![CDATA[&#160; Photos: Gert Jan van Rooij]]></description>
		<link>http://project1975.smba.nl/en/article/overview-bart-groenendaal-stefan-ruitenbeek-quinsy-gario?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=overview-bart-groenendaal-stefan-ruitenbeek-quinsy-gario</link>
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		<title>Exhibition &#8216;Bart Groenendaal, Stefan Ruitenbeek, Quinsy Gario&#8217;</title>
		<description><![CDATA[The current exhibition by Gario, Groenendaal and Ruitenbeek can be seen as a break for introspection within the Project &#8217;1975’ programme. This time, attention turns to the Netherlands. The presentation combines two exhibitions and an essay that each focus on cultural systems of classification, seeming certainties and the urge for cultural freedom. The Paradox of [...]]]></description>
		<link>http://project1975.smba.nl/en/article/exhibition-bart-groenendaal-stefan-ruitenbeek-quinsy-gario?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=exhibition-bart-groenendaal-stefan-ruitenbeek-quinsy-gario</link>
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		<title>Extra: Report &#8216;Making Art Global (Part 1): The Third Havana Biennial 1989&#8242;</title>
		<description><![CDATA[Book presentation January 19, Rijksakademie Amsterdam Report by Madelon van Schie The book presentation of Making Art Global (Part 1): The Third Havana Biennial 1989, with contributions by Rachel Weiss, Luis Camnitzer, Coco Fusco and Geeta Kapur ao, formed part of the program Temporary Stedelijk 3-Stedelijk@Rijksakademie and was organized in collaboration with publisher Afterall Books. [...]]]></description>
		<link>http://project1975.smba.nl/en/article/extra-report-making-art-global-part-1-the-third-havana-biennial-1989?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=extra-report-making-art-global-part-1-the-third-havana-biennial-1989</link>
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		<title>Extra: Local anthropological research of Erick Beltrán at Tropenmuseum</title>
		<description><![CDATA[Mexican artist Erick Beltrán presents his project &#8216;The World Explained&#8217; at Tropenmuseum Amsterdam. It consists of a large collection of interviews with so-called &#8216;non-experts&#8217; on how the world functions. With a small team of anthropologists Beltrán interviewed people in Sao Paulo, Barcelona and Amsterdam. The conversations were recorded and transcribed and finally collected into an [...]]]></description>
		<link>http://project1975.smba.nl/en/article/extra-local-anthropological-research-of-erick-beltran-at-tropenmuseum?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=extra-local-anthropological-research-of-erick-beltran-at-tropenmuseum</link>
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		<title>Extra: Sylvester Okwunodu Ogbechie &#8211; ‘Where is Africa in Global Contemporary Art?’</title>
		<description><![CDATA[By publishing the Project ‘1975’ essay &#8216;The Politics of Exclusion&#8217;, SMBA presented an introduction to the range of problems connected to the definition of African Art. Author Rikki Wemega-Kwawu is certainly not alone in his criticism towards the current discourse of African and Global art. In addition the Nigeria-born American Sylvester Okwunodu Ogbechie, Associate Professor Art [...]]]></description>
		<link>http://project1975.smba.nl/en/article/extra-sylvester-okwunodu-ogbechie-%e2%80%98where-is-africa-in-global-contemporary-art%e2%80%99?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=extra-sylvester-okwunodu-ogbechie-%25e2%2580%2598where-is-africa-in-global-contemporary-art%25e2%2580%2599</link>
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