Overview of the exhibition ‘Informality’.
With work by Domestic Workers Union / Matthijs de Bruijne / Detour, Doug Fishbone, Kaleb de Groot, Jose Antonio Vega Macotela, Marc Roig Blesa, Rogier Delfos, Senam Okudzeto.
Kaleb de Groot, Cardboard, handmade, from ‘Jan who saw it all’ (Barbara Visser, 2004), 2011.
Domestic Workers Nederland (with Matthijs de Bruijne and Detour), You are so nice! Could you work two more hours today?, 2011.
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During the opening of the exhibition ‘Informality’, Dr. Joost de Bloois, lecturer at the University of Amsterdam, department of Literary and Cultural Studies, gave a presentation about the notion of “precarity”. The concept of “precarity”, which is best described as ‘the structural uncertainty of livelihood and income’, serves as a rallying cry for a great number of contemporary protest movements (from the French anti-CPE protests to the Spanish Indignados, via the Greek social movement and recent student protests in Italy and Germany). Equally, “precarity” has become a key notion in both critical theory and artistic practice today. In his lecture Joost de Bloois unpacked the different meanings and the ambiguities of the notion of “precarity” within political and artistic practices and critical theory.
Here you can read the full text of his presentation ‘Making Ends Meet: Precarity, Art and Political Activism’.