Tag Archives: Jesus Maria Carrillo Castillo

Video symposium ‘What is a ‘Postcolonial Exhibition’?’

Posted on 26/06/2012

The Stedelijk Museum and Stedelijk Museum Bureau Amsterdam proudly presented the symposium ‘What is a Postcolonial Exhibition?’, an SMBA initiative organized as part of the program of Temporary Stedelijk 3 – Stedelijk @. Click here to read the symposium’s info sheet and watch the video registrations below.

What is a ‘Postcolonial Exhibition’? has been made possible through the support of:
Mondriaan Fund
Amsterdam Fund for the Arts
SNS REAAL Fonds

Part 1: Mapping the Field (turn up volume)

– Margriet Schavemaker, Head of Collections, Stedelijk Museum. Introduction and Welcome.
– Elena Sorokina, art historian and freelance curator. Introduction to exhibiting the postcolonial.
– Jelle Bouwhuis, Curator, SMBA. Brief note on the Stedelijk’s global art history.
– Johannes Fabian, Anthropologist. Introduction to Time and the Other, after interviewed by Anke Bangma, curator at the Tropenmuseum.
– Discussion

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Report symposium What is a ‘Postcolonial Exhibition’?

Posted on 08/06/2012

In collaboration with the Stedelijk Museum, Stedelijk Museum Bureau Amsterdam organized the symposium What is a ‘Postcolonial Exhibition’? on May 25. During this day the institutional engagement with the colonial past and the postcolonial present was discussed. The symposium presented a range of institutional practices and scholarly insights to examine a specific aspect: the exhibition itself and the exhibition strategies that go alongside it.

Curator Christel Vesters wrote an extensive report on the symposium.

A first impression, by Christel Vesters

What is a ‘Postcolonial Exhibition’? kicked-off with an introduction by co-organiser Elena Sorokina, who eloquently outlined the framework for the symposium by unpacking its two primary questions: ‘what constitutes the postcolonial today?’, and ‘what is the language of an exhibition?’ If an exhibition today is no longer merely a space in which objects are put on display but has developed itself as a trans-disciplinary, narrative space in which the parameters of time and space are no longer fixed, how can exhibitions then respond to developments like globalisation, post-colonialism or to our multicultural societies?
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