Tala Madani’s work can be characterized by an illustrative stroke of the brush, moving back and forth across the borderline between the clear-cut line of comic strips and an expressionist use of color. Her compositions situate male figures in absurd scenes touching upon the non-rational aspects of human behavior. Against the background of intimate, domestic or dreamlike environments, the figures expose themselves freely and easily to observers. Apparently obsessed, they are completely immersed in the demonic scope of their activities.
Through taking the idea of the demonic obsession as a point of departure for the exhibition ‘The Jinn’, Madani has added a mythological element to her artistic practice. While a fascination for the non-rational has always driven her artistic production, the explicit involvement with Islamic tradition and Arab folklore enriches her practice in a fresh and intriguing way.